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Screenwriting Coach

Why do you love coaching writers?

For years I ran a screenplay development service, where I read scripts and helped make them better. What I found was that I was only helping writers who already had a completed script, whereas I kept encountering many more writers who couldn’t finish the one they were working on.

 

I kept receiving requests to help with the writing process itself, instead of just polishing the finished project.

I’d been considering re-launching my script development service, but instead thought it may be more helpful to coach writers on the writing process itself.

I started out doing this as an experiment, and was overwhelmed by the number of people who wanted to join me. I watched writers finally able to bring the stories to life that they wanted to, when they had the support of a system and writing coach.

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Red Typewriter

Tyy S., Screenwriter

After working with Russ, I was thoroughly prepared for the real-world environment of working in a writers' room.

Red Typewriter

Jack M., Screenwriter

No beating around the bush. You clearly say what works and you clearly say what doesn't. Just what I'm looking for.

Red Typewriter

Janis B., Screenwriter

Russ's feedback has been more helpful than any other feedback in terms of giving me the framework and character arc I need to dive into an effective rewrite.

What is your screenwriting background?

I read scripts for Benderspink, the production company that developed American Pie and The Hangover. I ran the script contest for Script Pipeline, the company that discovered Snow White and the Huntsman, which was one of the biggest spec script sales in history.

 

I started Script Coverage Pro, which was a script development company, where I helped both indie writers and studios get their scripts ready for the screen.

 

I’ve completed writing several features myself. One of those, Barmy, I made into an independent film, and sent it to festivals. Another one, Stud, went into development at Team Todd, which is the company that developed Memento and Austin Powers. That same script placed in the Academy Nicholl Fellowship.

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Now that I’m done bragging (yuk), the way that I feel is that none of that matters, except what I learned from those experiences. What matters is completing my next script. If this resonates with you too, and you want to focus on creating something new, then we're going to enjoy working with each other.

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-Russ

 

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